{"id":1130,"date":"2025-03-01T20:10:56","date_gmt":"2025-03-01T11:10:56","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1130"},"modified":"2025-03-01T20:10:56","modified_gmt":"2025-03-01T11:10:56","slug":"new-arrival-thirty-six-views-of-mount-fuji-by-hokusai-kuniyoshi-yoshitoshi-hiroshige-yoshiiku-yoshikazu-kasamatsu-shiro-kobayakawa-shusei-saito-kiyoshi-takeda-gentaro-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1130","title":{"rendered":"[New Arrival] “Thirty-six Views of Mount Fuji” by Hokusai, Kuniyoshi, Yoshitoshi, Hiroshige, Yoshiiku, Yoshikazu, Kasamatsu Shiro, Kobayakawa Shusei, Saito Kiyoshi, Takeda Gentaro and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji<\/strong> \/ Seven-Mile Beach in Sagami Province” by Hokusai<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Earth Spider Generates Monsters at the Mansion of Lord Minamoto Yorimitsu” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Last
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Last Stand of the Kusunoki at Shijo-nawate” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Bridge on the Tenryu River, from the Taiheiki” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Taira
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Taira no Kiyomori, Tokiwa Gozen and Imawakamaru (tentative title)” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night Attack at Shijo, Kyoto” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heaven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heaven and Sai no Kawara” by Hiroshige III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Bashamichi from Yoshida Bridge in Yokohama” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Large
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Large American Ship and Distant View of Other Ships from the Four Nations” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreigner's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreigner’s House in Yokohama” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreigners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreigners from Five Nations at a Drinking Party” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children’s Dance Performance at Gankiro in Yokohama” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Isuzu-ro in Yokohama” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combats
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combats at the Great Battle of Kawanakajima \/ No. 11: Oyamada Hyobunojo and Nagao Bitchu no kami” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Uji River” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji in the Twelve Months \/ The Fifth Month” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture Scroll of the Modern Genji \/ Regrets on the First Morning After” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Colors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Colors of Spring: Playing with Flowers in the Wine Vat” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Honored Commanders, Receiving the Emperor’s Gift Cup” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"News
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“News of Kagoshima” by Eitaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Genre Scenes of Edo \u3010Reproduction\u3011” by Moronobu, Harunobu, Utamaro, Hokusai and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Sky at Suwa Shrine, Nippori” by Kasamatsu Shiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Gardens in Tokyo \/ The Middle Gate in Rikugien Garden” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Watanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Watanabe Hangaten’s Catalog of Woodblock Prints”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Views of Tokyo \/ Asakusa” by Ishii Hakutei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The National Flag Shines” by Kobayakawa Shusei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hydrangea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hydrangea” by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kotatsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kotatsu” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fairy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fairy Tale” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dog
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dog (tentative title)” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow Shoveling (tentative title)” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Goats
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Goats (tentative title)” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shinshokai:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shinshokai: New Style Designs \/ Vol. 1” by Togo Seiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Usuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Usuki Stone Buddha Fire Festival” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sea (tentative title)” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tsuboya,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tsuboya, Naha” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takadachi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takadachi in Snow” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hase-dera
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hase-dera Temple (Nara)” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kiyohara Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plum Blossoms ” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fruits
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fruits (tentative title)” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Osaka and Kobe \/ No. 26: Nakayama” by Akamatsu Rinsaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shepherd
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shepherd Boy” by Kamisaki Sunao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Clock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Clock God and a Mountain Lake” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of China” by Hashida Tokio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblo\uff43\uff4b
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblo\uff43\uff4b New Year’s Postcards” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokeshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokeshi Collection (Reproduction)” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY FIFTEEN ARTISTS” by Maekawa Senpan, Hatsuyama Shigeru, Kawakami Sumio, Saito Kiyoshi, Hiwasaki Takao and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY 12 ARTISTS I – Published by the Nippon Exlibris Association in Commemoration of the First General Assembly” by Omoto Yasushi, Kajiyama Toshio, Saito Kiyoshi, Serizawa Keisuke, Sekino Junichiro and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY 12 ARTISTS II – Published by the Nippon Exlibris Association in Commemoration of the Second General Assembly” by Kanamori Yoshio, Karasawa Hitoshi, Sekino Junichiro, Hiratsuka Unichi, Furusawa Iwami, Hagiwara Hideo and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Thirty-six Views of Mount Fuji \/ Seven-Mile Beach in Sagami Province” by Hokusai “The Earth Spider Generates Monsters at the Mansion of Lord Minamoto Yorimitsu” by Kuniyoshi “Last Stand of the Kusunoki at Shijo-nawate” by Kuniyoshi “The Bridge on the Tenryu River, from the Taiheiki” by Kuniyoshi “Taira no Kiyomori, Tokiwa Gozen and Imawakamaru (tentative […]<\/p>\n","protected":false},"author":1,"featured_media":1139,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1130"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1130\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1130\/revisions\/1138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1139"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}