{"id":1148,"date":"2025-03-15T18:30:39","date_gmt":"2025-03-15T09:30:39","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1148"},"modified":"2025-03-13T23:55:38","modified_gmt":"2025-03-13T14:55:38","slug":"new-arrival","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1148","title":{"rendered":"[New Arrival] “Han Geijutsu”, Munakata Shiko, Kamei Takejiro, Kawase Hasui, Tsuchiya Koitsu, Georges Rouault, Kinoshita Daimon, Hiroshige, Kuniyoshi, Yoshifusa, Kunimasa and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Han
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Han Geijutsu<\/strong>” by Ryoji Kumata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Blue Sky \/ Spring Daybreak” by Munakata Shiko<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Recollections:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Recollections: True Views of the Fifty-three Stations of the Tokaido” by Kamei Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris Garden at Meiji Shrine” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning Fuji, Lake Kawaguchi” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Faubourg
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Faubourg des Longues Peines (La Pauvre Famille)” by Georges Rouault\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Faubourg
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Faubourg des Longues Peines (Demenagement)” by Georges Rouault\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Faubourg
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Faubourg des Longues Peines (La Pauvre Eglise)” by Georges Rouault\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Suzumushi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Suzumushi” by Saito Kaoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E TAIHO” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E FUTABAYAMA” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E WAKANOHANA” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E KITANOFUJI” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E TAKANOSATO” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E TOCHINISHIKI” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E CHIYONOFUJI” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E KASHIWADO” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Midorishima Tomonosuke from Etchu Province” by Gyokuha\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: O’tohira Hirokichi from Sendai” by Shunsai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Wakashima Kyuzaburo” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Hilltop View, Yushima Tenjin Shrine” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of the Fifty-three Stations of the Tokaido in Continuing Pictures \/ Sheet 2” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of Yokohama” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tegoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tegoshi no Shosho” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of Birds and Animals” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Parodies of Genji \/ Ch. 18, Matsukaze: Higuchi Jiro” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections for the Ten Stems \/ Metal of the Gun: Suzuki Shigeyuki” by Yoshifusa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-nine Stations of the Kisokaido Road \/ The Shinkyogan Medicine Store at Toriimoto Station: Actor Ichikawa Danjuro VIII as Teraoka Heiemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Genpei Kabuki Nendaiki” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Steam
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Steam Train at Yokohama” by Kunimasa III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Collection of Popular Vehicles” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Umaya Bridge” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Fuji-view Ferry in Honjo” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Susaki” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Second Month: Nagoya Sanza and the Courtesan Katsuragi” by Kuninao II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"First
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“First Month: Agemaki and Hanakawado Sukeroku” by Kuninao II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto Yoshinaka and His Four Retainers Defeat the Tengu in the Deep Mountains of Kiso” by Shunsho II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of the Parlor\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Omi \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Han Geijutsu” by Ryoji Kumata “The Blue Sky \/ Spring Daybreak” by Munakata Shiko “Recollections: True Views of the Fifty-three Stations of the Tokaido” by Kamei Takejiro “Iris Garden at Meiji Shrine” by Kawase Hasui “Morning Fuji, Lake Kawaguchi” by Tsuchiya Koitsu “Faubourg des Longues Peines (La Pauvre Famille)” by Georges Rouault “Faubourg des Longues […]<\/p>\n","protected":false},"author":1,"featured_media":1150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1148"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":1154,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1148\/revisions\/1154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1150"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}