{"id":1192,"date":"2025-04-19T18:30:33","date_gmt":"2025-04-19T09:30:33","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1192"},"modified":"2025-04-19T08:35:30","modified_gmt":"2025-04-18T23:35:30","slug":"new-arrival-azechi-umetaro-saito-kiyoshi-hoshi-joichi-yoshida-hodaka-ted-colyer-hagiwara-hideo-mori-yoshitoshi-yamanaka-gen-hashiguchi-goyo-kuri-yoji-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1192","title":{"rendered":"[New Arrival] Azechi Umetaro, Saito Kiyoshi, Hoshi Joichi, Yoshida Hodaka, Ted Colyer, Hagiwara Hideo, Mori Yoshitoshi, Yamanaka Gen, Hashiguchi Goyo, Kuri Yoji and others"},"content":{"rendered":"

*Framed items cannot be shipped abroad.<\/b><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Onogahara” by Azechi Umetaro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hut
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hut at the top” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yari
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yari” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cabin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cabin at Karasawa” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn in Aizu,Anza\uff083\uff09” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Early
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Early spring” by Hoshi Joichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sacrifice
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sacrifice” by Yoshida Hodaka<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Izu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Izu Coast” by Ted Colyer\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mt.Fuji \/ MISAKA ” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Starlit
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Starlit night No.13” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Temple
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Temple of Segovia” by Mori Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Please
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Please wait” by Mori Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Renjishi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Renjishi” by Mori Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peonies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peonies in a Ko-imari” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Sekino Yosaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red Garden, Shisendo” by Hashimoto Okiie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fishing village” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tea Houses in Kyoto” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Drifting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Drifting” by Mizufune Rokushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Insects
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Insects” by Mizufune Rokushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Armor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Armor cloud” by Mizufune Rokushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Durer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Durer haus” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silk-11
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silk-11” by Onosato Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Time
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Time of Stone” by Yamanaka Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vortex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vortex” by Yamanaka Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stream
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stream No.4” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seaside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seaside Festival” by Onda Akio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Large
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Large Chrysanthemum” by Hayashi Waichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prayer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prayer” by Nagase Yoshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Balle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Balle de los dioses(Peyote)” by Takeda Shinzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pigeon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pigeon” by Kuroda Seitato\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown(Flower)” by Tsuji Hisashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small church” by Hirota Masahisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tea Ceremony” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Applying Make-up\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Combing Her Hair \u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Violin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Violin tree” by Kuri Yoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wild
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wild Beat” by Nagatomo Yuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodcut
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodcut prints:Mozart\u3000Die zauberflote” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letter” by Kawada Jun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shintaishi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shintaishi (new-style poetry)” by Kawada Jun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Series
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Series of Tanka” by Toki Zenmaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Northern Boobook” by Jo Natsuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Nakamura Teijo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Spring Sludge” by Hasegawa Kanajo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Cultural Alliance of Japan and Taiwan” by Goto Asataro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Tomomatsu Entai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Kawai Suimei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Series
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Series of Tanka: Korakuen” by Kubota Utsubo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Early Spring” by Kurihara Kiyoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Hoshino Tatsuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Toki Zenmaro\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

*Framed items cannot be shipped abroad. “Distant View of Onogahara” by Azechi Umetaro “Hut at the top” by Azechi Umetaro “Yari” by Azechi Umetaro “Cabin at Karasawa” by Azechi Umetaro “Autumn in Aizu,Anza\uff083\uff09” by Saito Kiyoshi “Early spring” by Hoshi Joichi “Sacrifice” by Yoshida Hodaka “Izu Coast” by Ted Colyer “Thirty-six Views of Mt.Fuji \/ […]<\/p>\n","protected":false},"author":1,"featured_media":1199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1192"}],"version-history":[{"count":8,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1192\/revisions"}],"predecessor-version":[{"id":1200,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1192\/revisions\/1200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1199"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}