{"id":1392,"date":"2025-09-13T18:30:57","date_gmt":"2025-09-13T09:30:57","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1392"},"modified":"2025-09-13T16:26:59","modified_gmt":"2025-09-13T07:26:59","slug":"new-arrival-hokusai-kuniyoshi-hiroshige-toyokuni-kuniteru-eizan-eisen-yoshitoshi-kunichika-yoshida-hiroshi-tsuchiya-koitsu-kawanishi-hide-saito-kiyoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1392","title":{"rendered":"[New Arrival] Hokusai, Kuniyoshi, Hiroshige, Toyokuni, Kuniteru, Eizan, Eisen, Yoshitoshi, Kunichika, Yoshida Hiroshi, Tsuchiya Koitsu, Kawanishi Hide, Saito Kiyoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Oboshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oboshi Yoshikane and the Other More than Forty Loyal Retainers Burn Incense at Enkakuji, Having Fulfilled Their Vow” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shunkyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shunkyo Gojusan da \/ Akiba Mountain” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shunkyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shunkyo Gojusan da \/ Futagawa” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Scenes of Cherry Blossom \/ Chion-in Temple Gate” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inland
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inland Sea \/ Akashi Port” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Circus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Circus” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketchbook
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketchbook of Circus” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Carmen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Carmen” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children Learning Music” by Kuniteru I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Magic Lantern Slides in Edo Purple” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hikarunouji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hikarunouji Strolls along the Seashore” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Scene of the Tokaido Board Game, from the Play Koi Nyobo Somewake Tazuna” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Dawn Moon at the Shinto Ritual” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Totsuka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Kusatsu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Sakanoshita: Distant View of Fudesute Mountain” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Shokon Shrine on Kudanzaka Hill in Tokyo” by Hiroshige IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties of the Tokaido Road \/ Totsuka Station” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties of the Tokaido Road \/ Totsuka Station” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo murasaki Kasumi no Gyoretsu” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreigners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreigners Enjoying the Gankiro Pleasure House in Miyozaki, Yokohama” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matsuyama-ro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matsuyama-ro in the New Yoshiwara” by Nobuyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of Mansei Bridge at Kanda, Tokyo” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait of Genji Enjoying the Evening Cool” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Night: A Manzai Dance for Murasaki” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crowds
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crowds Visiting the Toshogu Shrine in Ueno for the Festival” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Playing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Playing Music at the Horikawa Palace” by Toyokuni II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Imperial Artillery Colonel and Commander Kumamoto Masaji” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inspecting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inspecting the Decapitated Head of Saigo Takamori at Shiroyama” by Toshimitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bunraku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bunraku Puppet” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"'Target,'
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“‘Target,’ a Trilogy \/ Shoot” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"City
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“City” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Grape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Grape and Vase” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Young
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Young Woman with a Flower” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kannon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kannon” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Idaten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Idaten (Skanda)” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Idaten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Idaten (Skanda)” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Kakezara and Sunehei” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Sodayu and Kongo’jin Gennosuke” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Fuwa Banza and Iwahashi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Nozarashi Gosuke and Oshige” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Maboroshi Kiritaro and Koshimanosuke” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Omatsu and ??jiro” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Tennyomaru and Genzaemon” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Shirai Gonpachi and Komurasaki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Tsubone Iwafuji and the Maid Hatsu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems \/ Sakaya Mataroku and Shikabue no Shichizo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Camellia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Camellia” by Kudo Kojin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Clematis
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Clematis” by Kudo Kojin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fukujuso
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fukujuso Plant” by Kudo Kojin\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Oboshi Yoshikane and the Other More than Forty Loyal Retainers Burn Incense at Enkakuji, Having Fulfilled Their Vow” by Kuniyoshi “Shunkyo Gojusan da \/ Akiba Mountain” by Hokusai “Shunkyo Gojusan da \/ Futagawa” by Hokusai “Eight Scenes of Cherry Blossom \/ Chion-in Temple Gate” by Yoshida Hiroshi “Inland Sea \/ Akashi Port” by Tsuchiya Koitsu […]<\/p>\n","protected":false},"author":1,"featured_media":1396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1392","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1392"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1392\/revisions"}],"predecessor-version":[{"id":1397,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1392\/revisions\/1397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1396"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}