{"id":1411,"date":"2025-09-20T18:30:59","date_gmt":"2025-09-20T09:30:59","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1411"},"modified":"2025-09-20T15:28:18","modified_gmt":"2025-09-20T06:28:18","slug":"new-arrival-hiroshige-kazan-kiyochika-kunichika-taninaka-yasunori-fujimaki-yoshio-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1411","title":{"rendered":"[New Arrival] Hiroshige, Kazan, Kiyochika, Kunichika, Taninaka Yasunori, Fujimaki Yoshio and others"},"content":{"rendered":"

[News] The 35th Ukyo-e Auction<\/b>
\n\"The<\/a>
\nThe 35th Ukyo-e Auction is going to be held by Ukiyo-e Dealers Association of Japan from October 3rd.
\nWe look forward to seeing you there.
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 20, Fuchu: Miroku 2-Chome, Abekawa” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait and Actual Calligraphy of the Poet Basho” by Watanabe Kazan<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait and Actual Calligraphy of the Poet Ransetsu” by Watanabe Kazan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait and Actual Calligraphy of the Poet Kikaku” by Watanabe Kazan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at Ochanomizu” by Kiyochika<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugawara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugawara no Michizane in Exile” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Attack at Niuzhuang” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Our Forces at the Battle of the Yellow Sea \/ Fourth Illustration” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Attack and Occupation of Tianzhuangtai” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Visit
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Visit of the Empress to the Field Hospital” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Our Troops at Fierce Battle of Pyongyang” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scouts
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scouts near Niuzhuang on a Snowy Night” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Emperor's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Emperor’s Carriage Arrives at Shinbashi Station at the Occasion of the Emperor’s Trip to Hiroshima” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of a Military Review Ceremony Attended by the Emperor” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Alluring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Alluring Figures: Makeup Pride” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Alluring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Alluring Figures: Makeup Pride” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Alluring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Alluring Figures: Makeup Pride” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Misty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Misty Moonlight at Ichibei-machi \/ Kumokiri Nizaemon” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Collected Prints of Sceneries of Hyuga” by Kuroki Sadao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Han
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Han geijutsu \/ No. 5: Mountains and Seas” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fireside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fireside” by Obata Kensho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mutter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mutter House” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Still
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Still Life” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter Moon” by Mori Doshun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manchu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manchu Woman” by Inaba Kyoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pine” by Hirokawa Matsugoro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Lake Biwa” by Okuda Kiichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow on the Mountains, Kyushu Alps” by Muto Kanichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Scenes of Winter” by Sugiyama Masayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Countryside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Countryside in Winter” by Ogawa Tatsuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter Scene” by Ryoji Chomei (Ryoji Kumata)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenes of Tokyo \/ No. 1: Akashi-cho” by Enami Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Korean
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Korean Woman” by Sato Yonetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small Works of Outdoors \/ No. 36: Lantern” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshida
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshida Post Office at the End of the Year” by Kobayashi Asaji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dad's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dad’s Hat” by Okuyama Yasuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Marbled
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Marbled Rockfish” by Ishizaki Shigetoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji Seen from Musashino” by Kakihara Toshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Donjon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Donjon (Osaka)” by Iwashima Tsutomu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl” by Nakamura Nakazo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony” by Tsukamoto Tetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Boys
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Boys Studying Science” by Ebata Yoshiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Baba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Baba Daimon Zelkova Trees” by Munakata Makka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Wearing a Summer Kimono” by Nozu Sakichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Toshi, Shima” by Iwata Kakutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chameleon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chameleon Plant” by Kuroki Sadao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Water
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Water Scene” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Father
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Father and His Child on the Night Train” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"When
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“When Wild Roses Bloom” by Takeda Yoshihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Frosty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Frosty Early Spring” by Shimozawa Kihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shirone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shirone Yaguruma” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hikone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hikone Castle” by Hashimoto Okiie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain, Mountain” by Fujimaki Yoshio<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Nanki (Waterfall)” by Nitta Jo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Apollo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Apollo \/ Vol.10, No.56 and Vol.12, No.68”<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] The 35th Ukyo-e Auction The 35th Ukyo-e Auction is going to be held by Ukiyo-e Dealers Association of Japan from October 3rd. We look forward to seeing you there. \u2192Click here for details “Famous Sights of the Fifty-three Stations \/ No. 20, Fuchu: Miroku 2-Chome, Abekawa” by Hiroshige I “Portrait and Actual Calligraphy of […]<\/p>\n","protected":false},"author":1,"featured_media":1417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1411"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1411\/revisions"}],"predecessor-version":[{"id":1418,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1411\/revisions\/1418"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1417"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}