{"id":1840,"date":"2026-06-27T18:30:07","date_gmt":"2026-06-27T09:30:07","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1840"},"modified":"2026-06-27T06:52:26","modified_gmt":"2026-06-26T21:52:26","slug":"new-arrival-serizawa-keisuke-sekino-junichiro-takama-soshichi-fukazawa-sakuichi-kawakami-sumio-ishiwata-koitsu-tsuchiya-koitsu-nakazawa-hiromitsu-tokuriki-tomikichiro-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=1840","title":{"rendered":"New Arrival: Serizawa Keisuke, Sekino Junichiro, Takama Soshichi, Fukazawa Sakuichi, Kawakami Sumio, Ishiwata Koitsu, Tsuchiya Koitsu, Nakazawa Hiromitsu, Tokuriki Tomikichiro and others"},"content":{"rendered":"

[News] 2026 The 61st annual Tanabata Auction<\/b>
\n\"2026<\/a>
\nStarting on Friday, July 3 the Tanabata Auction, organized by Meiji Kotenkai.
\nWe look forward to seeing you there.
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Don
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Don Quijote” by Serizawa Keisuke<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Don
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Don Quijote” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Illustrated Story of a Chinese Female Ninja” by written by Takeda Taijun; illustrated by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1958” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1960” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1961” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1961” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1968” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1969” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Prints: Hana monogatari” by Sekino Junichiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Zojoji Temple, Shiba” by Fukazawa Sakuichi \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Nihonbashi” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Baseball
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Baseball Game” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nigatsudo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nigatsudo Hall at Todai-ji Temple” by Ishiwata Koitsu (Shoichiro)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kashihara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kashihara Shrine” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kashihara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kashihara Shrine” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monument
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monument at Murayama Reservoir” by Nakazawa Hiromitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Orchid
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Orchid and Bird” by Takama Soshichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodpecker
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodpecker with Autumn Leaves” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vanda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vanda Orchid and Honeycreeper” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rainbow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rainbow Lorikeet” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cattleya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cattleya and Honeycreeper” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Parakeets” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Macaw
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Macaw” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Birds (tentative title)” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vanda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vanda Orchid” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers and Birds (tentative title)” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cattleya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cattleya” by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Carp
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Carp Streamer” by Kikukawa Taka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cats
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cats” by Kawano Kaoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harvest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harvest” by Kawano Kaoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Owl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Owl” by Kawano Kaoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gyeongju-Eup
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gyeongju-Eup” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Recollections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Recollections of Tokyo \/ Meiji Shrine” by Yamaguchi Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Recollections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Recollections of Tokyo \/ Meiji Shrine” by Yamaguchi Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Numa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Numa no Baasan” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude (tentative title)” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Birds
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Birds and Flower” by Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Birds
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Birds and Flower” by Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Birds
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Birds and Flower” by Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE LOYAL RONINS \/ Blabbing in Town” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Songhua Riverbank, Jilin” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Places in Kyoto \/ Kiyomizu Temple in Spring” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Places in Kyoto \/ Shin’en Garden at the Heian Shrine” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Places in Kyoto \/ Arashiyama” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Places in Kyoto \/ Autumn Scene at the Temple of the Golden Pavilion” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Places in Kyoto \/ The Gion Festival” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Bridge at Sanjo” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senju
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senju Kannon, the Thousand-Armed Bodhisattva of Compassion, and Twenty-Eight Attendants” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiyomizu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiyomizu Temple” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiyomizudera
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiyomizudera Temple” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red Maple Leaves at Kosanji Temple” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shugakuin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shugakuin Imperial Villa” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Snowy Evening in Kyoto” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daikakuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daikakuji Temple, Saga” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kochidani,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kochidani, Ohara in Northern Kyoto” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening View of Kyoto” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiyomizudera
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiyomizudera Temple in Eastern Kyoto” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening at the Great Bridge at Sanjo (tentative title)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lithograph:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lithograph: Tokyo zue (limited edition)” by written by Nagai Tatsuo; illustrated by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Songs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Songs of Nostalgia” by Wakayama Yasoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Obsidian
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Obsidian” by Wakayama Yasoji Azuchi Fumiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanga o kizuita hitobito” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Votive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Votive Plaque” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Snow” by Sekino Junichiro, Tanaka Fuyuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pleasure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pleasure of Woodblock Prints” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"My
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“My Printers” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] 2026 The 61st annual Tanabata Auction Starting on Friday, July 3 the Tanabata Auction, organized by Meiji Kotenkai. We look forward to seeing you there. \u2192Click here for details “Don Quijote” by Serizawa Keisuke “Don Quijote” by Serizawa Keisuke “The Illustrated Story of a Chinese Female Ninja” by written by Takeda Taijun; illustrated by […]<\/p>\n","protected":false},"author":1,"featured_media":1845,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1840"}],"version-history":[{"count":10,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1840\/revisions"}],"predecessor-version":[{"id":1851,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1840\/revisions\/1851"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1845"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}