{"id":863,"date":"2024-08-24T19:00:01","date_gmt":"2024-08-24T10:00:01","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=863"},"modified":"2024-08-24T19:00:01","modified_gmt":"2024-08-24T10:00:01","slug":"new-arrival-shimura-tatsumi-nakazawa-hiromitsu-ohara-kosonshoson-ito-shinsui-ono-bakufu-koizumi-kishio-maeda-masao-kato-yasu-hokusai-kuniyoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=863","title":{"rendered":"[New Arrival] Shimura Tatsumi, Nakazawa Hiromitsu, Ohara Koson(Shoson), Ito Shinsui, Ono Bakufu, Koizumi Kishio, Maeda Masao, Kato Yasu, Hokusai, Kuniyoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Customs of Modern Beauties \/ Battledore” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Customs of Modern Beauties \/ Shower of Blossoms” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Customs of Modern Beauties \/ End of the High Summer” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Customs of Modern Beauties \/ Marumage” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inn at Gion” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"To
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“To a Wedding Reception” by Arai Kanpo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rooster
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rooster and Hen (tentative title)” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eagle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eagle in Snow (tentative title)” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sparrows
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sparrows and Snow-covered Plum Branch (tentative title)” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Japanese Fish Picture Collection \/ Flathead mullet” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Sights of Shinano \/ Late Spring Evening at Komoro” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of a Hundred Views of Great Tokyo in the Showa Era \/ No. 88: Subway in Spring” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ginsadan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ginsadan (Ginkaku-ji)” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone Pavement (Katsura)” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone Pavement (Oubai-in)” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rock (Daisen-in Temple)” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mud
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mud Wall at Tamukeyama” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tower at Sanzen-in” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape (tentative title)” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Step
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Step Stones” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stepping
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stepping Stones at Tofuku-ji Temple” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Zao (tentative title)” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crater
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crater Lake at Mount Zao H” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seto” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cherry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cherry Blossom in the Night” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At Venice (B)” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yotei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yotei in Early Summer” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at Myogi” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Olive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Olive Hill (Tivoli Hill, Suburb of Rome)” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snowfield
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snowfield (Onneyu, Kitaminokuni)” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter Confinement (Life of Ainu, Hokkaido)” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Temple
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Temple in Athens” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shadows-Katsura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shadows-Katsura” by Clifton Karhu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miwa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miwa Myojin (tentative title)” by Clifton Karhu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crouching
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crouching Woman” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seaside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seaside” by Kusaka Satomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Motomura Taira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letter” by Motomura Taira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"musume
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“musume 2” by Dawoon Jung\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"musume
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“musume 2” by Dawoon Jung\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shadow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shadow of Tomorrow” by Osawa Shosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koyasugi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koyasugi” by Fukushima Ichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shunkyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shunkyo Gojusan da \/ Maisaka and Arai” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chinzei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chinzei Hachiro Tametomo, with Oniyasha as His Guide, Travels to Various Islands and Demonstrates His Ferocity” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of Steam Locomotives Traveling” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Record
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Record of the Valiant and Loyal Retainers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Hours of Springtime Amusements \/ The Hour of the Dog” by Toyokuni III and Kuninobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Brick
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Brick Buildings along the Ginza Street, a Famous View in Tokyo: Flourishing Merchant Houses” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Ryogokubashi: Okawa” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Edobashi: Post Office” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono” by Zeshin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono” by Zeshin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Okame
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Okame (tentative title)” by Zeshin\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Five Customs of Modern Beauties \/ Battledore” by Shimura Tatsumi “Five Customs of Modern Beauties \/ Shower of Blossoms” by Shimura Tatsumi “Five Customs of Modern Beauties \/ End of the High Summer” by Shimura Tatsumi “Five Customs of Modern Beauties \/ Marumage” by Shimura Tatsumi “Inn at Gion” by Nakazawa Hiromitsu “To a Wedding […]<\/p>\n","protected":false},"author":1,"featured_media":872,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=863"}],"version-history":[{"count":9,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/863\/revisions"}],"predecessor-version":[{"id":873,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/863\/revisions\/873"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/872"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}