{"id":875,"date":"2024-08-31T19:02:19","date_gmt":"2024-08-31T10:02:19","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=875"},"modified":"2024-08-31T19:02:19","modified_gmt":"2024-08-31T10:02:19","slug":"new-arrival-kuniyoshi-hiroshige-yoshitoshi-yoshitora-yoshifuji-yoshiiku-kyosai-sadahide-kuninao-kunichika-nobukazu-gekko-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=875","title":{"rendered":"[New Arrival] Kuniyoshi, Hiroshige, Yoshitoshi, Yoshitora, Yoshifuji, Yoshiiku, Kyosai, Sadahide, Kuninao, Kunichika, Nobukazu, Gekko and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Notes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Notes on Women’s Conduct \/ Stretching Cloth” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Auspicious
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Auspicious Desires on Land and Sea \/ No. 61, A Little Annoyed: Hawks from Tango Province” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Sea” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Military
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Military Brilliance for the Eight Views \/ Autumn Moon at Gojo Bridge: Ushiwakamaru” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Ladies-in-waiting Boarding at a Station” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches from the History of Greast Japan \/ The 22nd Emperor Yuryaku” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Cauldron on a Moonlit Night: Kofuna no Gengo and Nariya Hanzo” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Procession
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Procession of Sumo Wrestlers for Fund-raising Tournament” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Festival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Festival at Kanda in Tokyo” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Festival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Festival at the Kanda Myojin Shrine in Tokyo” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children at Play: The Tenno Festival” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Imperial Tour to the Northeast” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kusunoki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kusunoki at the Siege of Chihaya” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ The Abe River” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Morning of a No Performance” by Yoshitora, Kyosai and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Famous Places in Kyoto: Shimabara” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Samezu: Samezu Kannon Temple” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Okabe” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Tenpozan in Osaka: Viewing Children’s Sumo” by Kyosai<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Utsunoya Pass” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ghosts
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ghosts at Daimotsu Bay” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Sixty-odd Provinces \/ Osumi Province: Sakurajima” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Sixty-odd Provinces \/ Hyuga Province: Aburatsu Port, Obi Oshima” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views in the Various Provinces \/ Dance of the Star of Longevity at Kaimongatake, Makurazaki, Satsuma Province” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Koi-zumo Yawaragi Soga” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Mansei Bridge Built after Shohei Bridge at Kanda” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Garden in Spring” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for the Sumida River: Enjoying the Evening Cool” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Kinkanban Karagoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Kajiwara Heizo Kagetoki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hana to Fubuki Wago Taiheiki” by Kuninao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Katamigusa Yotsuya Kaidan” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Flowering Humanity \/ No. 27: Autumn Rain” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Amusements at Ryogoku in the Eastern Capital” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Attack of the Loyal Retainers \/ E: Sugaya Hannojo, Na: Uramatsu Kihei” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Attack of the Loyal Retainers \/ Yu: Kanzaki Yogoro, Ha: Tominomori Suke’emon” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kindergarten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kindergarten \/ Doggy” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Azuma
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Azuma \/ Autumn Flower” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ View of Ueno Park” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Yasukuni Shrine at Kudanzaka” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months of Beauties \/ No. 7: Sea Bathing” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year Event of Firefighters” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stories
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stories of the Heroes of Kagoshima \/ Murata Shinpachi” by Shoso\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stories
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stories of the Heroes of Kagoshima \/ Henmi Jurota” by Shoso\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Emperor Nintoku Viewing Private Houses” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Four Social Classes Riding the Ferryboat Together” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Horsemanship of Magaki Heikuro” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Naval Battle Capturing Haiyang Island” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Japanese Fleet Wins a Great Naval Victory near Phung-to in Korea” by Shungyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Imperial Japanese Fleet Defeats Chinese Warships at Phung-to” by Tsuneshige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Japanese Fleet Wins a Great Naval Victory over China near Phung-to in Korea” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Notes on Women’s Conduct \/ Stretching Cloth” by Kuniyoshi “Auspicious Desires on Land and Sea \/ No. 61, A Little Annoyed: Hawks from Tango Province” by Kuniyoshi “Spring Sea” by Kuniyoshi “Military Brilliance for the Eight Views \/ Autumn Moon at Gojo Bridge: Ushiwakamaru” by Kuniyoshi “Illustration of Ladies-in-waiting Boarding at a Station” by Yoshitoshi […]<\/p>\n","protected":false},"author":1,"featured_media":881,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=875"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/875\/revisions"}],"predecessor-version":[{"id":882,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/875\/revisions\/882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/881"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}