{"id":951,"date":"2024-10-26T18:30:25","date_gmt":"2024-10-26T09:30:25","guid":{"rendered":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=951"},"modified":"2024-10-23T18:05:09","modified_gmt":"2024-10-23T09:05:09","slug":"new-arrival-kuniyoshi-yoshitoshi-yoshitora-yoshiiku-toyokuni-kunisada-ikuhide-hiroshige-shuntei-kuniaki-tokuriki-tomikichiro-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.live\/english\/blog\/?p=951","title":{"rendered":"[New Arrival] Kuniyoshi, Yoshitoshi, Yoshitora, Yoshiiku, Toyokuni, Kunisada, Ikuhide, Hiroshige, Shuntei, Kuniaki, Tokuriki Tomikichiro and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Eruption
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eruption of Mount Bandai, Iwashiro Province” by Ikuhide<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"News
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“News of Kagoshima” by Eitaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Soga Brothers Kill Ten Warriors” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Downhill Attack at Hiyodorigoe in the Battle of Ichinotani” by Yoshitsuru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Host a Party for the Americans at Yokohama in Musashi Province on the 10th Day of the Second Month, Kaei 7” by Eiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of the English Trading House in Yokohama” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of the Sea from the Steam Train in Motion at Yokohama” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Military
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Military Drill of the Army ” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreign
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreign Building at Tsukiji in the Eastern Capital Seen from the Shore” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flourishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flourishing Brick Merchant Houses along the Street of Owari-cho, the First Large District in Tokyo” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Yokohama, Kanagawa in Musashi Province” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True View of Kinryuzan Temple in Asakusa Park” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Images of the Fifteen Ashikaga Shoguns at the Toji-in in Kyoto” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Okazaki” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ The Gion Festival” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Night Visits to Temples and Shrines \/ Kagurazaka” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months of Beauties \/ No. 2: Viewing Plum Blossoms” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Rough Sketch of Tea Ceremony” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fairy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fairy Tale: Kachi-kachi yama” by Katagiri Kintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Joruri:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Joruri: Ume kaoru Iroha Tanka” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Popular, Comical Blowpipe Game” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Reciting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Reciting Just a Few Lines from the Play Senryo Nobori” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"On
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“On the Belly of Calmness, the Hand of Anxiety” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Figures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Figures for the Twelve Months” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Framed Set of Senryu Poems Dedicated to Mount Takao” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cutouts
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cutouts of the Popular Songs” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Calligraphic Models for Each Character in the Kana Syllabary \/ The Syllable Mi: Sunset Glow on the Water Seller, from the Eight Views” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Calligraphic Models for Each Character in the Kana Syllabary \/ The Syllable To for Long-tailed Rooster: Toshibei and Sukune Taro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Once-in-a-Lifetime Portraits” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Square
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Square Pictures in Old and New Styles \/ The Spirit of the Komachi Cherry Tree and O’tomo Kuronushi” by Toyokuni III and Kiyomitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Mekura Nagaya Ume no Kagatobi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fencing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fencing Match at the School of Chiba Toichiro” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fencing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fencing Match (tentative title)” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fencing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fencing Match (tentative title)” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Valiant Beauties \/ Pupil of Sakakibara Kenkichi, a Retainer of the Rokugo Family” by Yoshiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Valiant Beauties \/ Samurai in a Official Fencing Match at the School of Sakakibara Kenkichi” by Yoshiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of the Loyal Retainers \/ No. 3: Okajima Yasoemon Tsuneki” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of the Loyal Retainers \/ No. 8: Hayami Sozaemon Mitsutaka” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of the Loyal Retainers \/ No. 10: Kataoka Gengoemon Takafusa” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of the Loyal Retainers \/ No. 13: Uramatsu Kihei Hidenao Nyudo Ryu’en” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Twelve Hours of the Storehouse of Loyal Retainers \/ The Hour of the Tiger” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Twelve Hours of the Storehouse of Loyal Retainers \/ The Hour of the Chicken” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fuji of Nishi-izu Beach at Dawn” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fuji in Early Spring (Motosuko Lake)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fine Weather Following Snow in Tokyo Ochanomizu” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fuji of Iwabuchimachi” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fuji of Okitsu Beach” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fuji at the Mouth of Numazu” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-Six Views of Mt. Fuji \/ Fujimi-bashi Bridge in Suruga” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Eruption of Mount Bandai, Iwashiro Province” by Ikuhide “News of Kagoshima” by Eitaku “The Soga Brothers Kill Ten Warriors” by Kunisada I “The Downhill Attack at Hiyodorigoe in the Battle of Ichinotani” by Yoshitsuru “Japanese Host a Party for the Americans at Yokohama in Musashi Province on the 10th Day of the Second Month, Kaei […]<\/p>\n","protected":false},"author":1,"featured_media":955,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=951"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions"}],"predecessor-version":[{"id":957,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions\/957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/955"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.live\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}